Friday, December 20, 2024

Live action adaptation of Oshi no Ko 【推しの子】 (no spoilers)

This is a spoiler-free post about the live action adaptation of Oshi no Ko, which recently started showing on Amazon Prime Video, spanning 8 episodes that covers the manga's story up to Kana's scandal, followed by a 129-minute movie that premiered today in Japanese theatres. And of course, I got my ticket and made my way to the local cinema.

This live action adaptation follows the manga quite closely, but certain arcs and even characters were left out. Well, the manga spans 166 chapters printed in 16 volumes. The anime, at the conclusion of 2 seasons (total of 24 episodes, roughly 640 minutes because the first episode was around 90 minutes), has only adapted 80 chapters (8 volumes). The live action adaptation sought to adapt the entire story in 520 minutes (391 minutes covered by the drama series, and 129 minutes by the movie). In terms of the time available, more than half of the story would have to be cut to fit the story into the 520 minutes.

But this actually worked out in a nice way for the live action adaptation. The manga itself had several side characters and their stories that had little if any impact on the main story itself. By removing them from the adaptation, the live action adaptation has a more focused story that sticks to the main plot: revenge. By simplifying the story to just the main plot, and even simplifying the characters to what is necessary to drive the main plot, this live action adaptation manages to fully utilise the short time it has to tell the key elements of the original work, capturing the main story and presenting it in a different format without undermining the original story. This is quite an achievement, since most live action adaptations of manga works tend to fall flat. Of course, some major changes were also made, likely due to budget.

Overall, I felt that it was easy to follow the story of this live action adaptation as someone who had read the manga. For those new to the series, it can be a bit difficult, but not impossible, to understand the full story due to the story jumping around along the chronological timeline. The entire adaptation stands on its own and I would recommend it as an example of a successful live action adaptation of a manga series.

The movie's "pamphlet" can be bought at cinemas and contains interviews and such, plus an illustration "bookmark" was handed out as a gift to those who watch the movie, and it has a QR code to a video of a song.

Oh, one thing about the cast. I find it quite interesting that they chose Hara Nanoka to play Arima Kana. Arima Kana was probably modeled after Ashida Mana, and being in the same age group as her, Hara Nanoka probably contested with Ashida Mana for many roles when they were both child actors. In this sense, Hara Nanoka was the real-life version of Kurokawa Akane. I guess making Ashida Mana play Arima Kana and Hara Nanoka play Kurokawa Akane would be a bit too real for both of them as well as the audience. 😅  

Related posts:
Cells at Work! live action movie, an example of another recent successful adaptation

Live action adaptation of Oshi no Ko 【推しの子】 (with spoilers)

Recently, Amazon Prime Video started showing the live action adaptation of Oshi no Ko, spanning 8 episodes that covers the manga's story up to Kana's scandal. Today, the conclusion to that adaptation arrived in the form of a 129-minute movie.

This live action adaptation follows the manga quite closely, but certain arcs and even characters were left out. Well, the manga spans 166 chapters printed in 16 volumes. The anime, at the conclusion of 2 seasons (total of 24 episodes, roughly 640 minutes because the first episode was around 90 minutes), has only adapted 80 chapters (8 volumes). The live action adaptation sought to adapt the entire story in 520 minutes (391 minutes covered by the drama series, and 129 minutes by the movie). In terms of the time available, more than half of the story would have to be cut to fit the story into the 520 minutes.

But this actually worked out in a nice way for the live action adaptation. The manga itself had several side characters and their stories that had little if any impact on the main story itself. By removing them from the adaptation, the live action adaptation has a more focused story that sticks to the main plot: revenge.

Personally, I think this live action adaptation managed to capture the main story and present it in a different format without undermining the original story. This is quite an achievement, since most live action adaptations of manga works tend to fall flat. Of course, some major changes were also made, likely due to budget, which I will discuss later in the post when I go into spoiler territory.

Overall, I felt that it was easy to follow the story of this live action adaptation as someone who had read the manga. For those new to the series, it can be a bit difficult, but not impossible, to understand the full story due to the story jumping around along the chronological timeline. The entire adaptation stands on its own and I would recommend it as an example of a successful live action adaptation of a manga series.

Spoilers after this photo. It is the movie's "pamphlet" (which can be bought at cinemas and contains interviews and such) plus an illustration "bookmark" (handed out as a gift to those who watch the movie) that has a QR code to a video of a song.

For those who want to know more about the live action adaptation, I will now go further into the episodes and movie.

Episode 1 of the live action adaptation is 40 minutes long, but covers essentially the same content as the anime's first episode (90 minutes). Quite a bit was not in this episode, including Sarina and Goro's story during the hospital, and Ai's visit to the hospital and childbirth. It kind of just quickly introduces the reincarnation part and moved from there, ending at the same place as the anime's first episode.

Episode 2 has Aqua and Ruby going to high school, and shows Aqua being overly protective of Ruby and until he started acting again as a favour to Arima Kana. Episode 3 is the reality TV arc, while episode 4 is about the reforming of B Komachi idol group. Those who read the manga or watched the anime would find these three episodes very familiar and more or less the same.
 
Episode 5 starts going into the Tokyo Blade arc, covering the part about the issues with the script. Episode 6 then goes on to complete the Tokyo Blade arc. However, there is one major change to the story... instead of a 2.5-dimension stage play, this is about a drama adaptation of Tokyo Blade. Personally, I didn't like this major change because the story became quite weak, lacking the original impact that showed how Abiko-sensei was convinced to work with GOA on the script after seeing what the 2.5-dimension theatre can do, and the "story within a story" of Tokyo Blade being depicted within a manga/anime. It can't be helped, I guess, due to budget... I don't think the drama production committee had the money to actually recreate an entire 2.5-dimension stage play using a proper 2.5-dimension theatre.

Episode 7 covers the filming of the music video in Miyazaki, ending with the discovery of Goro's body, while episode 8 covers Kana's "scandal" followed by Aqua telling the world who their mother was.

I had thought the movie would then just continue from there. But instead, the movie went back to the start of the manga series, with almost an entire first hour of the movie covering the part about Sarina and Goro in the hospital, Ai's first checkup at the hospital and all the way until she gave birth, Goro's death, and again showing some of the stuff covered in episode 1 (blazing through the early childhood of the twins, and the scene where Ai was stabbed).

The second half of the movie blazed through the production of the "15-Year Lie" movie, with many things shortened. For example, instead of Akane, Shiranui, and Ruby holding their own audition to decide who would play Ai, it was just Akane and Ruby in a short scene that eventually resulted in Akane dropping out from the role and Ruby volunteering for it. The next thing you know, the movie was about to premier, there is a small "confrontation" between Aqua and Kamiki (their father), and we get another major change in the story. Instead of Nino, a former B Komachi member, trying to kill Ruby, we have Nino stab Aqua at the movie's stage event, and Kamiki kidnapping Ruby in the confusion. Aqua goes to save Ruby and he and Kamiki end up falling into the sea and the rest was more or less the same as the manga.

As you can see, the movie moved at a very fast pace. I guess it would have to, since it had to cover stuff from the remaining 8 volumes of the manga. The mysterious girl Tsukuyomi never even appeared in the live action adaptation since Akasaka-sensei never really closed the story on her. The more fantastic elements of Aqua's and Ruby's childhood was also not shown. Given that this is a live action adaptation, it would be difficult to convincingly show such fantastic elements (it is going to be difficult to convince babies to act like in the manga) and I thought it was a good decision to do away or skim over them.
 
Melt was not really touched on too after episode 2 since his story had nothing to do with the main plot. Ruby's classmates Shiranui and Kotobuki are also not in the story, although Shiranui's name did get mentioned. Entire arcs were left out, like how Ruby managed to become one of the celebrities appearing on the same show as Aqua, or the involvement of Sarina's mother in the movie production. I think it was a good decision on the production team's part to leave these side stories and side characters out, since they detracted from the main story.
 
Sarina's love for Goro was also toned down. Personally, I felt it was a good move, since seeing a real girl confess her love for an adult man is going to be awkward at best. Story-wise, it also helps to cushion the ending, since it removes one major aspect of the relationship between Aqua and Ruby, making it easier to see how Ruby could eventually get over Aqua's death.

Finally, because viewers are not as invested in the story as manga readers (who had spent four years following the story), the overall "bad ending" route that the manga took didn't feel as frustrating. Think of it this way: viewers of the live action adaptation just starting watching the episodes about a month ago and got that "bad ending" today. Compare it to manga readers who followed the story for four years and ended up with that bad ending. Or anime viewers who probably have to wait several more years before the rest of the story gets adapted; if they get a bad ending at the end of 5 or more years of following the anime series, they are not going to be happy. From this perspective, the live action adaptation having a "bad ending" route wasn't really that bad. I just hope they change the story for the anime so that fans who invested years following the anime would not be disappointed when the series ends.
 
Oh, one thing about the cast. I find it quite interesting that they chose Hara Nanoka to play Arima Kana. Arima Kana was probably modeled after Ashida Mana, and being in the same age group as her, Hara Nanoka probably contested with Ashida Mana for many roles when they were both child actors. In this sense, Hara Nanoka was the real-life version of Kurokawa Akane. I guess making Ashida Mana play Arima Kana and Hara Nanoka play Kurokawa Akane would be a bit too real for both of them as well as the audience. 😅

Related posts:
Cells at Work! live action movie, an example of another recent successful adaptation

Tuesday, December 17, 2024

Expanding a ZFS pool in TrueNAS SCALE

Recently, TrueNAS SCALE 24.10 was released and added a long-awaited feature: the ability to expand a ZFS pool. This allows additional disks to be added to an existing pool, increasing its capacity.

This feature is called expand pool in ZFS, but TrueNAS names it as "extend" so that can be a bit confusing. Still, it is the same thing.

According to the documentation, this is the procedure:
1. To do so, go to Storage. Locate the pool and click Manage Devices on the Topology widget to open the Poolname Devices screen.
2. Select the target VDEV and click Extend to open the Extend Vdev window.
3. Select an available disk from the New Disk dropdown menu. Click Extend.
4. A job progress window opens. TrueNAS SCALE returns to the Poolname Devices screen when complete.

This is a really neat feature to have, and I got myself a refurbished HDD (CMR) and added it to my existing ZFS pool. As my existing pool uses SMR drives, things can be really slow... the plan is to slow replace the SMR drives with CMR ones as and when finances allow.
 
To see the actual status of the expansion, the following command can be used in a shell.
zpool status
Or if you want to see a particular pool, for example, a pool called mainpool, use
zpool status mainpool

Meanwhile, after 11.5 days, the expansion of the pool has finally been completed.


Sunday, December 15, 2024

Cells at Work! live-action movie

Live-action adaptations of manga and anime can be hits and misses. So when they announced the live-action movie adaptation of Cells at Work!, I was a bit skeptical because this series has quite a bit of a fantastic element to it. But it also features a cast of famous actors and actresses in Japan, so I did my best to finish up work and make time to see the movie.


The story shuttles between the actual persons where the cells are working--Niko, a high school girl played by Ashida Mana living with her widowed father--as well as the cells within Niko and her father. I find the overall flow to be very well done. There is the overarching story of Niko as she goes about her life, with different things happening to her. As something happens, you then see the inner workings of the cells inside her. You get to see the red blood cells transporting oxygen and carbon dioxide from place to play, and the white blood cells fighting off germs. Niko's father shows the "Black" side of this series that is found in Cells at Work! Code Black. There is also an arc about cancer cells.

While the movie features a stellar cast, most of them actually have their faces painted in all kinds of colours (Sato Takeru's face is white because he plays a white blood cells, while it was difficult to figure out who were playing the different germs since their faces were painted in different colours). But the kids playing the blood platelets were just as cute as portrayed in the anime (I have not read the manga).

The movie also managed to make my eyes teary, I really don't know why. Maybe it was the great acting of Ashida Mana.

Another thing to note is that the "black" part of the movie shows what happens when Niko's father consumes alcohol, which shows this "liver cabaret" scene... it could be a bit too, erm, "adult" for younger audiences. And this movie had a younger audience. When I went to see the movie, there were parents who brought along their kids, some as young as kindergarten age while others were in lower grades of elementary school.

I left the theatre feeling quite happy at having watched a nice movie that successfully adapted a mange into live action. It is not often that you see such successes, but the movie was able to capture the key elements of Cells at Work! and skillfully used computer graphics to create some of the more fantastic elements, blending them with real people. I really recommend this movie, which is able to stand on its own even if you have never read the manga or watched the anime.

Sunday, December 08, 2024

Lunar occultation of Saturn (December 2024)

There was a lunar occultation of Saturn tonight. This happens when Saturn appears to go behind the moon. Due to the distance between the Earth, moon, and Saturn, and the sizes of the moon and Saturn, such an event is only visible at certain times in certain parts of the world. I happen to be living at a place where it was visible this time. So I took out my camera and tripod to try and take some photos.
 
You can see Saturn just before it goes behind the moon.

 
Saturn almost gone (need to zoom in)
 
Saturn as it starts to reappear from behind the moon.

I was lucky that there were no clouds during this time, but the wind was very strongly resulting in the camera being a bit shaky and the photos turning out a bit blur. In the end, I had to use GIMP to sharpen the images a bit, but it still didn't help make Saturn appear clearer. Sigh.
 
Another lunar occultation that I managed to photograph:
 

Saturday, December 07, 2024

Visiting calligraphy exhibitions

When I went to see my piece exhibited at the 80th Onchikai Shodo Exhibition 第80回温知会書道展 at Tokyo Metropolitan Art Museum (東京都美術館), I saw that there were three other calligraphy exhibitions taking up four halls in total at the same place. So I went to see the works by other calligraphy practitioners from other calligraphy societies as a way of learning and gaining inspiration.
 
The 59th Shoshin Exhibition 第59回書心展 by Nihon Shodo Kenkyukai 日本書道研究会 took up two halls at the museum. What surprised me was that the pieces were really really big, being about 3 metres tall and about 70cm wide.



 
The 24th Lanting Calligraphy Exchange Tokyo Exhibition 第24回蘭亭書法交流東京展 by Nihon Ranteikai 日本蘭亭会 (Japan Lanting Society) took up one hall. This exhibition also includes works by calligraphers from China.



 
The 70th Toyo Calligraphy Art Exhibition 第70回東洋書芸展 by Toyo Calligraphy Art Association 東洋書道芸術学館 took up one hall too. It is interesting as there are also works that use older calligraphy scripts to create something more picture-like.




I took quite a number of photos and hopefully will have time to look through them for better inspiration and learning.

80th Onchikai Shodo Exhibition 第80回温知会書道展

I went to Tokyo Metropolitan Art Museum (東京都美術館) today to see my calligraphy piece on exhibition at the 80th Onchikai Shodo Exhibition 第80回温知会書道展.
The exhibition took up 2 halls out of the available 12 at the museum, of which 1.5 halls were works by standing members (instructors and above) while half of the remaining hall was used to exhibit winning submissions from general members of the calligraphy society.



A thing I noticed is that there were more works in hansetsu 半切 size this year. This was the size that I used in my submission last year, and it ended up looking kind of small among the other pieces, mostly 2x6 feet and some 2x8 feet. Which was why I decided to use 2x6 feet paper for this year's piece.
 
This is the piece that I submitted this year. 河海不择细流故能就其深

It was nice going to see the works by other calligraphy practitioners, especially since I am still wondering what to write for next year's round of exhibitions. Hopefully, I can decide on what to write soon, since I need quite some time to practise.

Tuesday, December 03, 2024

Violet Evergarden orchestra concert in Thailand on 17 and 18 January 2025

Following the first Violet Evergarden orchestra concert outside Japan, held in Beijing, China on 8 June 2024, a while ago, it was announced that a similar concert will take place on 18 January 2025 in Nakhon Pathom, Thailand. The concert will be held at Prince Mahidol Hall, the largest concert hall in Thailand and located in Mahidol University.
 

Due to the great response, it was announced today that a second session will take place on 17 January 2025 at the same place.


Both sessions will feature TRUE, Chihara Minori, and Yuuki Aira. Music will be by Thailand Philharmonic Orchestra and conducted by Thanapol Setabrahmana.

It is so nice to see such orchestra concerts continue to be held overseas. I also hope that they will again hold the concert in Japan, since I really enjoyed the 2021 concert.

My overall thoughts on Violet Evergarden The Movie

Events:
 
Translations of short stories:
Gilbert Bougainvillea and the Fleeting Dream (unofficial translation of "ギルベルト・ブーゲンビリアと儚い夢")
The Starry Night and the Lonely Two (unofficial translation of 星降りの夜とさみしいふたり)
Diethard Bougainvillea's If (unofficial translation of ディートフリート・ブーゲンビリアIf) 
The Tailor and the Auto-Memories Doll (unofficial translation of 仕立て屋と自動手記人形)
 
Tellsis (Nunkish) translation:
Last line of Violet's final letter to Gilbert
 
Insights on the movie:
 
Audio commentary notes:

 
All posts related to Violet Evergarden.



Sunday, December 01, 2024

Initial D vs MF Ghost

Initial D and MF Ghost are both manga series by the same author, Shigeno Shuichi, and adapted into anime. I became interested in Initial D after watching the first season of MF Ghost (which is in its second season now; the manga series is also on-going). I haven't read the manga for either of them, so my thought are limited to the impression I have from the anime adaptations.

I found Initial D to be more gripping than MF Ghost. Both adaptations feature races and spend a considerable amount of time on them. However, the races in MF Ghost did not feel as exciting to me, compared to those in Initial D. Both of them feature cars drifting and overtaking and speeding away, so what sets them apart?

I think it could be that Initial D focused heavily on a single character, Fujiwara Takumi. While Takahashi Keisuke also featured more in the later seasons, it was very clear that Takumi is the main character, the protagonist of this series. While other races were talked about, Takumi's races were always shown. In contrast, MF Ghost's main character/protagonist is Kanata, but the race scenes kept switching between him and other drivers. To me, this kind of diluted the sense of excitement as the pacing keeps being disrupted.

The other reason could be because the races in Initial D are one-on-one, while those in MF Ghost are either time trials (which means you just see a driver speeding along) or 15-driver races, where the protagonist may spend a large amount of time trying to catch up or keep position. The races (at least, the portion shown on screen) in Initial D are always dogfights, but those in MF Ghost end up covering more drivers that kind of dilutes the attention on any single one.

Takumi's races in Initial D are downhill races, and the differences in engine power are not as big compared to the races in MF Ghost, where the courses have both uphill and downhill portions. It is always more exciting to see someone win through skill rather than pure engine power, and in that sense, Initial D shows a lot more of that.

Therefore, I found Initial D to be more gripping, more exciting. Even though its use of computer graphics is kind of dated (especially the earlier seasons), it manages to give a sense of "being there" because the show follows a single driver throughout the race. Meanwhile, I am looking forward to seeing the rest of the anime adaptation of MF Ghost (hopefully, it adapts the entire manga series).

Saturday, November 30, 2024

Calligraphy pieces from practice (November 2024)

After my final exhibition submission for the year, I had no idea what to write for next year's round of exhibitions. So I decided to use other people's works as reference for practice, hoping that I can find some inspiration.
 
I usually put my practice pieces under my monthly miscellaneous posts, but this time, there were quite some pieces created from practice, so I decided to put them in a separate post.
 
憑君莫話封候事 一将功成萬骨枯
孤帆遠影碧空尽 唯見長江天際流
賢者不得志於今 必取貴於後
誰家玉笛暗飛聲
停車坐愛楓林晩
杯中山影分秋色
春蚕到死絲方尽 蠟炬成灰涙始乾
羌笛何須怨楊柳 春風不度玉門関
Two versions of 但使龍城飛将在 不教胡馬度陰山

黄河入海流
和気致祥
龍飛鳳舞
Two versions of 行雲流水

秦時明月漢時関 万里長征人未還