Monday, September 19, 2022

Calligraphy draft: 疾如風、徐如林、侵掠如火、不動如山

疾如風
徐如林
侵掠如火
不動如山
敬老之日思信玄


疾如風、徐如林、侵掠如火、不動如山
is the phrase used on the battle standard of Takeda Shingen (武田信玄), a warlord who lived during Japan's Warring States Period.

It came from the phrase in Sun-tzu's The Art of War,
故其疾如風,其徐如林,侵掠如火,不動如山
which means "as swift as the wind, as quiet as the forest, as fierce as fire, as unmovable as the mountain."
 
This is still a draft; it obviously needs more work before I can come up with something that I find satisfactory. Do compare the draft with the final version (when it comes out...) 

Update 25 Sep 2022: Another draft.

Update 1 October 2022: I think I like this the best.



Sunday, September 18, 2022

Violet Evergarden The Movie, 2nd anniversary

Today is the 2nd anniversary of Violet Evergarden The Movie, which was released in Japan on 18 September 2020. I caught it on the day it opened in the theatres, and went back many, many times after that. At 14 viewings on a big screen, it is the movie that I have watched the most in a theatre, and will likely remains so for the rest of my life.
 


Since then, I have worked on translating some of the short stories, and even wrote apps to translate to and from Tellsis, the language used in the series. (Links at end of post.) This series has really changed my life.

My tweets to mark this day.
 
春も夏も秋も冬も、いくつも季節が過ぎましたが、続編の季節だけ巡ってきません。
Spring, summer, autumn, and winter. Many seasons have passed, but I am still waiting for a sequel.
 
My overall thoughts on Violet Evergarden The Movie.

Events:
 
Translations of short stories:
Gilbert Bougainvillea and the Fleeting Dream (unofficial translation of "ギルベルト・ブーゲンビリアと儚い夢")
The Starry Night and the Lonely Two (unofficial translation of 星降りの夜とさみしいふたり)
Diethard Bougainvillea's If (unofficial translation of ディートフリート・ブーゲンビリアIf) 
The Tailor and the Auto-Memories Doll (unofficial translation of 仕立て屋と自動手記人形)
 
Insights on the movie:
 
Audio commentary notes:

 
All posts related to Violet Evergarden.


Monday, September 05, 2022

Free art? Maybe not

Recently, we see AI develops pushing out new platforms for using AI to create art. Examples include DALL-E and Stable Diffusion.

But are such platforms really free?

It is often said that if a service is free, then you are the product. In the case of such AI tools for art, is this also true?

Deep learning neural networks have brought about significant progress in image recognition technology. The move from recognising images to creating them is part of the natural progression. There is, however, a core problem for computers in the creation of images: what to create?

Computers are great (and getting even better) at doing what they are told to do. They can now automatically control a series of machines to produce a product. They can drive a car to reach a designated location. But they still lack that upstream process: What to make? Where to go?

In art, this is the same. What to draw?

So while the use of AI tools for creating art may be free to the user in terms of money, make no mistake: you are paying. With your ideas. The ideas of what to draw is being collected, which can then be used to further train AI in that aspect that they lack: what to draw.

And when AI eventually learns human creativity, what is going to set us apart from machines? What is the value of an artist's creativity and techniques, when an AI can do so much better, having been trained using the creativity of millions of artists and billions of art pieces?