Tuesday, May 30, 2023

Suzume—Serizawa’s Story (unofficial translation of 小説すずめの戸締まり~芹澤のものがたり~)


This is my unofficial translation of 小説すずめの戸締まり~芹澤のものがたり~, a booklet written by director Shinkai Makoto and handed out to viewers of the movie Suzume no Tojimari starting from 24 December 2022. I am sharing my translation so that fans who do not understand Japanese can read it.
 
Note: The rights to the original work belong to the author Shinkai Makoto. While this unofficial translation is being shared under fair use, I will remove it if it comes to my knowledge that this translation is being misused or if there is any infringement of the copyright owners' rights.
 
--------------------------------------------
Suzume—Serizawa’s Story
by Shinkai Makoto
小説すずめの戸締まり~芹澤のものがたり~
新海誠
--------------------------------------------

Ah, even so, I don’t have the money.
As I walked to the car park hammed between buildings, that meaningless calculation kept playing in my head. At 24,000 yen, this monthly car park—exposed to the rain and bird shit—was prized amazingly for its location in the heart of Tokyo. Add in car insurance, the price of high octane fuel, and it’s going to cost 50,000 yen each month for the upkeep of this car. After switching to a cheap SIM-only plan, I pay 3,400 yen each month for my smartphone. Utilities are slightly less than 6,000 yen after being extremely frugal. Rent for that room in a 40-year-old condominium stands at 56,000 yen. I also need to eat and buy textbooks, and I do want to buy a couple of clothes every month to keep up appearances. I may be doing two part-time jobs, but the income just can’t keep up with the expenses. So, the first thing I need to do is to let go of this red sports car, which doesn’t match my current situation—and so I keep thinking every time I get into the car, ignite the engine, and fasten the seatbelt. I also know that I won’t do it. Suppressing a yawn, I turned the wooden steering wheel and drove out of the car park. I don’t know why I woke up so early today. It’s still six in the morning. Something has been bugging me since the events of yesterday.
I drove slowly along the alley beside the large temple in Zoushigaya. Cruising over the asphalt, the red Alfa Romeo reflected the spots of silver created by the early morning sun coming in behind the leaves. A young woman—probably on her way to work—looked at me as I drove by.
That’s right, I love this. Driving this beautiful car even as I looked at Tokyo, a place that treats me poorly. More than anywhere else, I feel a sense of peace when sitting in the driver’s seat. And I told myself, on days like this, it is best to have a car. That girl yesterday—I think she said her name is Suzume—she probably knows where Souta is. I’m going to find her again and ask her for his whereabouts. Souta keeps making me worry, and this time, I am really going to get mad at him. I stared at the passersby as I drove off in the direction of Ochanomizu.
------------
I first met Munakata Souta in spring, a year and a half ago. It was the first day of a seminar series on educational psychology.
“Hey, you there.”
Classes had been held online for the past two years. That day, I was having lessons in a classroom for the first time. That excitement and a longing to meet people led me to reach out to the person sitting next to me.
“Are you going for teaching practical with that hair of yours?”
“Erm, yes?”
He slowly stood up. He looked around 179 cm, a few centimeters taller than me. He brushed his shoulder-length hair with his hand and gave me a confused look. His long eyelashes cast a shadow on his eyes. He was a really handsome man.
“Must I cut my hair?”
His reply, frank but surprised, made me laugh. I had meant it as a joke, for him to rebut about my blonde hair and earrings, yet he kind of took it seriously.
“Well, I guess you’re going to stand out. When that time comes, let’s go cut our hair together.”
With a gentle smile, he said, “Yes. Please.” Extending his right hand, he said, “I’m Munakata Souta. Nice to meet you.”
“I’m Serizawa Tomoya. Let’s not be so formal.”
Somehow, I did not hesitate in shaking his hand. I was actually a bit moved. Finally, I have made a friend in university.

In the year that I came to Tokyo after graduating from a high school in the countryside, the pandemic struck. This unknown virus which caused symptoms similar to a very bad cold took the world by storm. Schools closed and eateries suspended business. My university didn’t even hold an entrance ceremony, and after a delay of a month and a half, lessons commenced, all of them online. I started life in Tokyo in a situation that sounded more like a cheap sci-fi novel.
With all lessons online, there was no way I could make friends in university. Those were days when people avoided going out, much less say eating out. Still, I packed my time with part-time jobs to make a living. I have three younger siblings at home, and my parents did not have any extra cash for me. For close to ten months, I pressed on, alternating between online lessons and my jobs at a convenience store and running deliveries.
The convenience store job was a one-man job, with few customers and no opportunities for conversation due to the taking of temperatures, disinfecting, and other measures against infection. Running deliveries was a lonely job, racing against time on a road bike around a largely deserted metropolitan city. But I managed to keep up this life because I had came to Tokyo with dreams, hopes, and sacrifices. I had my dream of becoming a teacher and believed the world would eventually overcome the pandemic. However, when the new year came and I saw the sudden increase in infection cases, something in me snapped. Damn it, I thought one day while drinking a can of chuhi after a tiring day at work. I had thought this crazy situation would not last more than a few months, but now, it looked like it could go on for years. I had lost close to 10 kg since coming to Tokyo, had no one to talk to about the future, lessons were no different from watching online videos, and there was no way for me to find a girlfriend and such. People were talking about whether to hold the Olympics, which really didn’t matter to me. My hard-earned money was going to high rent and living expenses in a city that gave me no meaning. Damn it.
And so, I switched to another job for better returns. At that time, there were businesses that continued to operate into the night, against the government’s requests. These businesses offered high hourly wages. I started working as an assistant at a bar in downtown Ikebukuro. A job in the nightlife entertainment industry suited me. I poured a lot of beer in a small bar located on the fifth floor of a mixed-use building until day broke. Gradually, I was allowed to make simple cocktails such as gin fizz and Moscow mule, and I learned to drink and smoke. There were many customers who were sick of the stifling infection-prevention measures, and I enjoyed drinking in-person with someone instead of over a computer or smartphone screen. I realized how much I had craved for a human touch. Eventually, I started drinking with female customers over the counter and learned how to draw out conversations, flirt, and wash away despair.
“Serizawa, let me introduce you to some good jobs.” A senpai by the name of Oishi had been especially nice to me at work. In his late 20s and with the build of an MMF fighter, he was a amiable person. I was introduced for a trial at a host club. Dealing at a members-only poker club. Filling and signing forms for others. Every job introduced by Oishi was shady, but I was grateful as it was hard to set aside time for more down-to-earth jobs with the many university assignments. In time, I dyed my black hair blonde, pierced my ears, and started wearing tinted glasses, simply so as not to stand out from the crowd at those part-time jobs. Before I knew it, I had spent two autumns in Tokyo. The Olympics had came and gone without leaving any mark on my life, gone as if it wasn’t anything significant in the first place.
It was after the mild Tokyo winter, during the spring vacation when cherry blossoms were starting to bloom, that Oishi asked if I wanted to buy a car. The pandemic was in its sixth or seventh wave, and no one around me really cared.
“You remember that host club? The one in Kabuki-cho, behind the municipal office? My friend there needs to recover some cash. 400,000 yen. No, 350,000 yen would do. It’s an Italian convertible, you know.”
True, it’s very much cheaper than the market price, but it’s an older model from 11 years ago with manual transmission. But in the end, I bought the car for 300,000 yen. I thought the flashy red sports car would give me a better sense of living in Tokyo. Another 200,000 yen was needed for the vehicle inspection, and I borrowed from Oishi to tide over the times. I needed to earn more.
With the end of the spring vacation, I became a third-year university student, and more and more classes started reopening in-person instead of online. That was when I met Souta.

Summer. It had been three weeks since I last saw Souta at the seminar series, and without much thought, I asked him, “What have you been up to?” This class was quite strict about attendance, and above all, the casual conversations every week with Souta had been a healthy getaway for me as someone who  spent most of my time in nightlife entertainment.
“Oh, I was helping out with the family trade. What? Were you worried?”
“Nothing like that,” I said, without being able to hide my annoyance. Souta always uses his family trade as an excuse, and I have never been able to get the truth out of him. He gave off an aura of “don’t ask.” When I passed him the PDF containing three weeks of notes, he said he would treat me to whatever I want.
“You make it sound so nice, but it’s still school cafeteria food.” I laughed as I sat across him at a table in the school cafeteria. It was bright outside from the summer sun, and the cicadas were singing their lives away. Souta smiled wryly and said, “We are both broke. Come to my place next time. I’ll make you something better.”
“Really?!”
This university is full of classy people from well-to-do families. Being always hard for cash, I stood out, and it helped that there was Souta who was in a similar financial state. As the two of us ate the cafeteria’s famous pork cutlet rice bowl, I stole a glance at Souta. The long beige shirt, probably used, suited his larger build. Worn on him, the faded shirt looked like it was from a beautiful portrait. I mean, if he wears a new stylish shirt, it would probably make the average model feel like leaving the industry.
“If you have no money,” I started saying casually, “There is something that pays well. It was introduced by my senpai at work. Interested?”
“I don’t know…” said Souta in a cool voice. This got me a bit irritated, and I decided to surprise him a bit.
“You know what is cryptocurrency? It’s really high now, and you can earn quite a bit even if you invest only a little. If you put your money within this month with someone I know, you can get back four times...”
“Serizawa”
“Yes?”
“Do you know what you are talking about?”
“Huh?”
He stared at me. His eyes have with a hint of blue. They reminded me of the bottom of the sea. Then, he let out a sigh, as if in resignation.
“It’s a scam,” he said in a low voice and got up. “It’s best that you quit that job. You should treat yourself better.” Saying this, he walked toward the cafeteria door, without looking back once. He had only eaten about half of that pork cutlet rice bowl. I was dazed and couldn’t do anything except look at his back as he walked away.
------------
I parked the car at a car park that costs 800 yen per hour and walked to Souta’s place. It was the corner room on the third floor of a small building, with a convenience store on the first floor.
“Souta, are you there? Suzume?”
I knocked on the door, but there was no reply. I turned the doorknob, and the thin wooden door opened.
There was no one inside, and the room was in a mess. One of the three shelves had fallen over, spilling many books on the tatami. Just as I was wondering why, I recalled that there was an earthquake yesterday. It happened a while after Suzume had ran off somewhere and I left this place. There was a single huge vertical shake which felt strange. The shelf probably fell over then.
I took off my shoes and stepped in. Returning the shelf to its original position, I placed the books back on the shelf. Mixed in among the textbooks and teaching references were several old books in traditional Japanese binding. Similar books filled the other bookshelves. I guess they have to do with his family trade, although I never asked him much about it. They were written in a cursive script that was indecipherable to me. Halfway through putting back the books, I stopped. Shouldn’t clearing up this place be the job for that girl? The one with eyes like Souta’s. I felt dubious about my own random thought and stood up to take a look around the room. It was a familiar place that I had visited many times. In this little room that felt like a secret hideout surrounded by books, we ate the food that Souta cooked and drank together, sharing our small dreams with each other several times. We prepared for teaching practicum here (in the end, we never got that haircut), and we celebrated the completion of the practicum here too. We also studied for the teaching certificate examination. In spite of all these, he had the nerve…
“Just you wait, Souta,” I said softly while suppressing a sudden feeling of loneliness. With some books still on the floor, I left the room. I’m done with this place. I walked briskly back to my car.
------------
The next day after that awkward split with Souta, I took a day off from my part-time job, pretending that I wasn’t feeling well. “Are you serious?” questioned Oishi loudly.
“You didn’t take a PCR or antigen test, right? If you didn’t, that’s fine. Even if you do, don’t say anything to the bar. Whatever it is, don’t come here for the next two weeks. Oh, and about that payment. You haven’t…”
“Sorry, it’s hard to breathe,” I interrupted while pretending to cough, then hung up.
For the next two weeks, I mostly stayed at home, passing time slovenly. I kept watching online videos, ate rice and canned food when I was hungry, and played games during online lessons. I skipped classes that required in-person attendance. I intended to continue university and work, but somehow, I couldn’t find that energy in me. But my body was healthy and I ended up installing a dating app. I swiped right on every profile I saw, but there were hardly any matches. Just when I was starting to get bored, there was a reply from a woman and we agreed to meet for a meal. We met at a nice Italian restaurant in Shibuya, and Mana was a beautiful lady who looked kind and gentle.
“My, you look young. How old are you?”
“Twenty-one.”
“You’re joking! We’re 12 years apart.”
“Eh? You’re above 30? No way!”
We drank wine and got drunk, then went to a bar and got even more drunk on cocktails and whisky.
“How can you be a teacher when you look so gaudy?”
I laughed. “Being gaudy doesn’t matter.” At her insistence, I showed her my student ID stating that I was in the faculty of education.
“I have many siblings so I am good at teaching kids. I am not bothered if they do poorly. In fact, I like it better.”
“You’re a mush nicer guy than you rook,” said Mana with a slur as she rubbed my back.
“But then, ricently…” I also started having difficulty articulating words. At the white cheeks that look blur but really close, I asked, “What to you do when you fill worried and ronely?”
“Huh?” She laughed and said as if speaking to the ceiling, “I never feel lonely.”
I honestly felt amazed. Since that day, I haven’t been able to contact Souta. My messages remained unread. Never feel lonely—such people do exist. Wow. Maybe I am weird for feeling lonely.
I woke up when the bartender shook me firmly. I had fallen asleep. There was no one else in the bar. “Your friend has paid and left,” said the unfriendly bartender. I was feeling nauseous and having a headache from the hangover as I tried to launch the app to thank Mana. That was when I realized she had blocked me. I didn’t know her real name and had no other way of contacting her.

The headache that I had thought was from the hangover turned out to be the real thing. My body felt like it was on fire, and the thermometer said I had a fever of 38 degrees. Before I knew it, my throat was parched and painful. The next day, when I saw the thermometer showing close to 39 degrees, I thought, this is not just a cold. Nine out of ten, it has to be that virus. While I wasn’t following Oishi’s instructions, still, I didn’t feel like going to the hospital now. I ordered a lot of sports drinks, jelly, and ready-to-eat porridge and locked myself up in my room. It was the middle of summer, but I felt really cold. With my teeth chattering away, I brought out the futon, wrapped it around me, and closed my eyes. I ate jelly in between naps, and took whatever fever medicine I had lying around. Three days later, the fever had not subsided.
You should treat yourself better.
Someone said this from afar.
I never feel lonely.
Someone seemed to say from far away.
This must be a punishment. As for what, I didn’t know. But this must be a punishment. I had no money, no future. No heart, no sincerity. And so, I had no friends. I didn’t even have the kindness to notice a lonely person saying she wasn’t lonely. I didn’t have the courage to speak up when I see something wrong. I did my best to survive after coming to Tokyo, but all I was left with were debts. Be it the gods or the prime minister, someone, anyone, please end our suffering.
That was when I heard a knocking sound.
I peeked out of the futon. The sound was coming from the door. Someone was knocking on it.
“Serizawa? You’re in, right? It’s me, Munakata.”
Souta was standing there with a large backpack when I opened the door.
“What? Did you catch a cold? I’m coming in.” Souta looked surprised as he took off his dirty boots and came in uninvited. “I’m letting in some air,” he said as he opened the windows.
“Wait…”
“You look bad. Get some sleep. I’ll cook something nice.”
“Hey, get out. You’re going to catch Covid.”
“Yours is just a cold.”
“Huh?”
“Don’t worry. I know the difference,” he said, with a gentle expression that looked like a fool. I could offer no rebuttal. He drove me back to the futon, and complained about the almost empty fridge, left to buy something from the supermarket, and started cooking after he got back.
“Souta, why…”
“I messaged you but you didn’t reply.”
Next to my pillow was my smartphone with a flat battery.
“I had to help with the family trade,” said Souta as he cut some vegetables and meat. “So I couldn’t reply to your messages. Sorry to make you worry.”
“Nevermind…” I choked on my words. The room was filled with the sound of a cutting knife, the bubbling of boiling water, and a bit of soft music in the background.
“Let’s eat.”
Souta cleared the table and placed a pot of steaming-hot minced chicken soup on it. As I reached for the chopsticks, I thought with a dry smile, hot soup in the middle of summer. It was full of Japanese leek, and the minced chicken had pieces of crunchy ginger. I didn’t have any appetite, but I couldn’t stop eating once I started. For a while, we ate without words. Sweat started to flow, and it even felt like I was going to cry if I wasn’t careful. As I wiped my face with a towel, I saw that Souta was sweating too.
After eating, I wiped away the sweat from my body and put on a fresh change of clothes. Souta handed me some cold lemonade, and I downed two cups in a row. “Let me use your shower,” said Souta as he went off to the bathroom. When he next appeared, he was wearing my T-shirt. “Sorry, lend me this. Can I wash my clothes with yours?” Even though I objected, he still went on to do the laundry.
The window let in a breeze that caressed my skin. My throat was no longer as painful, and I could see things a bit better. I knew my fever had gone done considerably without having to use a thermometer. I truly felt that Souta could perform magic.
“You can use the rest of the hot pot to make porridge tonight. Don’t smoke even though your throat is not as painful. I’ll come again tomorrow,” said Souta as he put on his boots.
“Erm… Souta?”
“Yes?”
Looking at the back of the person wearing my red T-shirt, I asked bluntly, “What are you carrying?”
“Huh?”
Souta stood up and looked at me. I asked again.
“Your family trade, can’t you talk about it?”
With a melancholic voice that almost sounded like he was crying, Souta said, “When the time comes, will you listen to my story?”
------------
I stopped my car in front of Ochanomizu Station.
It was the morning peak hour, and there were many people passing through the station’s gates. I could hear the sounds of the trains mixed with the chirping of birds. With my hands and chin on the steering wheel, I scrutinized the people who went by.

Around the time when my fever subsided last summer, I went to the bar in Ikebukuro, feeling bad for missing work for a whole month. It was no longer there. There was no notice on the door, and when I looked through the glazed window, I did not see anything inside. Looking around, I saw that this building and the ones around were full of empty units. After that, I went to the student office at the university and somehow found a job as a home tutor. Together with the part-time job running deliveries, which I had continued to do on and off, I was able to make ends meet. Still, I was always short of cash.

Something white flashed across the rearview mirror.
A tail?
A cat? Here? I looked around, but did not see any animal. Thinking that I must be imagining things, I looked up at the rearview mirror to see the reflection of a girl walking. Unlike yesterday, this girl was wearing a uniform, but there was no mistake—it was Suzume. With her face held up high, she was walking straight toward me. Her expression and stride confirmed my thoughts.
This girl is going to where Souta is. I don’t know the circumstances, but she is probably involved in his family trade.
Hang in there, Souta. I recalled the day when he spoke in that melancholic voice, “When the time comes, will you listen to my story?” Even now, I clearly remember that sad look in his eyes, like water disrupted by a sudden ripple.
“Suzume!”
I called out to her. The girl with a ponytail and eyes that looked like Souta’s—as if she was looking at something that I cannot see—stopped and stared at me.

--------------------------------------------

My translations of other short stories:
Gilbert Bougainvillea and the Fleeting Dream (unofficial translation of "ギルベルト・ブーゲンビリアと儚い夢")
The Starry Night and the Lonely Two (unofficial translation of 星降りの夜とさみしいふたり)
Diethard Bougainvillea's If (unofficial translation of ディートフリート・ブーゲンビリアIf)
The Tailor and the Auto-Memories Doll (unofficial translation of 仕立て屋と自動手記人形)
Suzume—Tamaki’s Story (unofficial translation of 小説すずめの戸締まり~環さんのものがたり~)
 

Saturday, May 27, 2023

Final screening of Suzume in Japan with live broadcast of stage event (10th viewing)

Today, 27 May 2023, is the 198th and final day that Suzume is showing in Japan. There was also a stage event held in Hibiya featuring director Shinkai Makoto, Suzume's voice actress Hara Nanoka, and Sota's voice actor Matsumura Hokuto. This stage event was broadcast live to 344 cinemas in Japan.

Getting a ticket for the live broadcast was not as difficult as the in-person event last week. The screen at my local cinema had 418 seats, and about 75% booked. About two-thirds of the viewers were female.

The message postcard was given being handed out.

The stage event took place after the screening of the movie. In most places, this would be the final screening of Suzume.

As usual, the lady from Toho in charge of the movie's promotion served to drive the event. Soon, director Shinkai Makoto, Hara Nanoka, and Matsumura Hokuto came onto the stage, which had a replica of the iconic door right in the center. The three of them then proceeded to introduce themselves, but I guess it isn't really needed. They again showed the short video clip about the movie's box office achievements.
 
The three of them last appeared for Suzume stage event on 28 November 2022. However, director Shinkai said that he actually met Hokuto last week at a preview screening of another movie (怪物), after which they had a meal together. The director's last meeting with Nanoka was when they went to South Korea for a Suzume event, though. So far, there has been a total of 79 stage events in 25 prefectures held in Japan, while the director has been to 13 cities in 9 countries for Suzume events too (with Nanoka for Berlin and South Korea; Berlin was Nanoka's first overseas event as an actress).

Nanoka asked about the number of times the audience at Hibiya has watched the movie. Well, to my surprise, there were a few who were watching it for the first time. I really wonder how they even got their tickets for this... you need to be a really hardcore fan to log in at a very precise time to book a ticket. The audience was also asked about their favorite character in the movie. It was quite spread out, with a small number who like Suzume, and about the same number liking Sota and Serizawa, and also people who like Tamaki, one who like Minoru, and Daijin having the largest number.

Director Shinkai also mentioned that, a year ago in May 2022, he and Hokuto met with Nanoka to let her know that she was getting the part for Suzume. A year ago, they haven't even started the voice recording. But now, a year later, the movie has been showing on the big screen for 198 days. Wow!

This was followed by questions (submitted online by fans beforehand) for the three of them. Due to time, only two questions were asked. The first was a question about what they felt most happy about regarding this movie. For Nanoka, it was when people said, "Ah, it's Suzume!" when she walked into the room for an audition. For Hokuto, it was seeing his name in various languages on Suzume's movie poster in different countries. For director Shinkai, it is when he was told by the distributor in South Korea that it has become a trend in South Korea to use Daijin's words (すずめ好きSuzume suki お前ジャマOmae jama) when they drink a toast.

The second question was from a fan in the first year of junior high, who was inspired to become a voice actor in the future after watching the movie. The question asked the three what they find enjoyable about voice acting. Nanoka said that she watched Your Name. when she was in her first year of junior high and felt moved that so many people were involved to make that movie and wanted to be part of such an undertaking some day. She apologised for not being able to give a more concrete answer. Director Shinkai added that his daughter right now is 13 years old and in her first year of junior high too. Hokuto said that voice acting is interesting because it is not limited by form, appearance, or age. Director Shinkai then mentioned again that, for him, selecting the voice actors was not so much a selection process. Rather, it is his own work, and his work is like his children, so during the auditions, it was like trying to pick up his own children's voices. (He previously said this during the all-Japan stage greeting event.)

This was followed by the announcement of the Blu-Ray/DVD, which will go on sale from 20 September 2023. It will include a visual commentary by Hara Nanoka and Matsumura Hokuto, as well as the video storyboard that director Shinkai Makoto made. More details can be found here. Director Shinkai commented that the timing of September also coincides with the setting of the story, since he had set the story in early September 2023. (Based on my analysis, though, the story should have taken place from 25 to 30 September 2023.)

Then, there was a short voice acting session. Director Shinkai wrote a short scene after Suzume and Sota came back and met up with Tamaki and Serizawa. The dialogue was between Suzume, Sota, and Serizawa (voiced by director Shinkai). It was a bit inconsistent with the main story, since this new dialogue included Sota telling Serizawa that it is Sota who lent Serizawa money, and it was 40,000 yen, not 20,000 yen. (In the main story, at the end, Serizawa told Tamaki that it was Serizawa who owed Sota money and asked her not to mention it to Sota.)

This was the last part of the event. The three of them thanked everyone, and director Shinkai said that he felt ready to move on to the next work too.

Update 30 May 2023: Official report (in Japanese)


Sunday, May 21, 2023

Suzume stage event with director Shinkai Makoto (9th viewing)

 
Suzume is in its final stretch at Japanese cinemas, with 27 May 2023 being its last day of screening (although there will be a special screening on 28 May 2023 at Kessennuma Community Hall). Since 12 May 2023, a "director's retake" version has been screening in cinemas, and director Shinkai Makoto has been going around Japan for stage events. Well, today, such a stage event was held in Yokohama, and of course, there was no way I was going to miss this (more on this at the end of the post...) Anyway, this is my 9th viewing of Suzume no Tojimari.


After the screening of the movie, director Shinkai Makoto made his appearance on stage.

This time, he brought with him the chair prop Sota, which had been traveling around the world with him (13 cities in nine countries). He even said that the chair's "neck" is a bit loose from all the beating taken from those travels. The lady on stage with him is the person in charge of promoting the film. She is from Toho and has been working with the director to promote his films since Garden of Words. She mentioned that today was the 192nd day that Suzume has been screening in Japan, and the film is also the top earning Japanese film outside Japan, bringing in 27 billion yen at the box office overseas. A short video clip was even aired as part of the event with the film's various box office achievements and shots taken while at overseas events.

Director Shinkai Makoto started by saying that this round of stage events is different from before. In the past, there were stage events to promote his films; this time, it was to thank fans for their strong support, and in a way get ready to move on to the next film. He asked for a show of hands and there were less than 10 from the audience who were actually watching Suzume for the first time today. Wow, I wonder how they got their tickets. Most had watched the movie at least five times, and there were more than a handful who watched at least 20 times. Only one in the audience was not a resident of Yokohama, having come from Tokyo for the event. The director mentioned that, at the events yesterday (in Kyoto, Osaka, and Nagoya), there were people who came from China and South Korea, besides other parts of Japan such as Shikoku.
 
The director then went on to read excerpts of a letter he received from a Chinese fan. She herself was a victim of the 2008 Sichuan earthquake, and her hometown was Beichuan County which suffered heavy damage from the earthquake. She mentioned how, as a 14-year-old student back then, her teacher had ushered the students to safety, and in front of her eyes, she saw the building collapsing on him and others. She subsequently managed to get into the University of Tokyo and wanted to conduct research on earthquakes, but switched her research theme halfway as it was too painful for her. She now works in the entertainment industry in Japan, and has found her own "Sota" too. The letter contained many episodes from her life, and the director skipped most of them, only highlighting a few. She mentioned that she could absolutely understand how Suzume could have dropped everything and went off on a road trip with Sota, being a disaster victim herself. As a disaster victim, there is a part of her that was stuck in that time, even as life continues to go on. The letter was really touching and I was crying most of the time, and I hope the director will find a way to share that letter with everyone. I simply cannot do her justice trying to summarise her letter here.

Next, the director talked about a question he received when he was in London. A young girl asked him which character is him in the movie. He said that his answer was that he is Tamaki (Suzume's aunt who is her guardian too), having become a parent himself now. And there are also times when, like Tamaki, he wants to tell his child, "Give me back my life!"

Someone from the audience asked the director about Suzume's daily life, since she seemed to be exceptionally fit physically. Director Shinkai Makoto answered that, in his mind, Suzume wasn't in any club activity in school, being unable to commit herself to something fully as a part of her remained stuck in time after surviving the earthquake disaster. But as someone who grew up in the countryside, it would be normal to have a certain level of physical fitness. I guess when you cycle up and down a hill every day to go to school, you are going to become really fit.

The event ended with a final question from the audiance, who asked if he will make a film with a pair of female protagonists. The original concept of Suzume had the protagonists as a pair of girls name Nanoka and Tamaki, but during discussions with the producers, they told the director that his fans probably wanted to see a romantic element in his film, so in the end, he made Suzume go on this road trip with a guy, but in the form of the chair so that the romantic element did not overshadow the rest of the story. But he is really interested in the idea of having a pair of female protagonists, so I guess we can look forward to that in his future films.

Director Shinkai Makoto ended this stage event by thanking everyone before he left for his next event (in Ikebukuro).

Before I end this post, a bit about my luck in getting a ticket for this event.
 
The last time such an event was held in Yokohama was on 24 December 2022 (Christmas Eve; read about it here). That's almost five months ago. This time, the venue was a bit smaller. The previous event was in a Dolby Cinema and really huge, with a capacity of 325. This time, it was in a smaller place, with only 201 seats. Tickets went on sale online at midnight last Friday (Friday night, Saturday morning). I was distracted by something else, and visited the website at 00:02 and the tickets were ALL GONE! I was on the verge of tears, but I didn't give up. I kept refreshing the page, and around 00:05, I managed to get into page for choosing a seat. It seemed someone didn't complete the purchase process. That seat was in the last row. I clicked immediately, and proceeded to make payment, but got kicked out before I could finish the process. So more clicks to refresh the page. Finally, at around 00:07, another seat opened up, somewhere in the middle, and this time, I managed to finish the purchasing process! I was really lucky! 🎉🎊

So when I saw that a few in the audience today were watching Suzume for the first time, I was like, wow, they have never watched the film before, but they took the time and effort to log in at midnight to get those tickets. I really respect their love for the director.

Okay, that's all for now. There is a final stage event on 27 May 2023, which will be streamed live to cinemas all over Japan. I am hoping to get a ticket for it at the local cinema. Wish me luck! 😉

Update 23 May 2023: Today, the official Twitter account for the film announced that the film has achieved the following:
Exceeded 35 million viewers outside Japan
Exceeded 46 million viewers worldwide
Exceeded 28 billion yen at the box office outside Japan
Exceeded 42 billion yen at the box office worldwide
Exceeded RMB 800 million at the box office in China
Topped the box office for a Japanese film in India
The embedded video is the video clip that was shown during the stage event, but with the figures updated.

Xiaoman 小满

After Lixia, or 立夏, comes Xiaoman, or 小满, another of the 二十四節気 24 solar terms. It literally means "a bit of fullness", and signifies the blooming of life everywhere now that summer has started.


Tuesday, May 16, 2023

Updating firmware of HPE Smart HBA H240 controller

After updating the firmware on a HPE Smart Array P440 controller, I thought I would try to see if I can do the same for the HPE Smart HBA H240 controller. So I followed more of less the steps here since the firmware is the same.

First, to see what the H240 came with.
ssacli ctrl all show detail
It showed that the firmware was version 1.18... really old.
Smart HBA H240 in Slot 1 (RAID Mode)
   Bus Interface: PCI
   Slot: 1
   Serial Number: PXXXXXXXXXXXXX
   Cache Serial Number: PXXXXXXXXXXXXX
   Controller Status: OK
   Hardware Revision: B
   Firmware Version: 1.18
   Firmware Supports Online Firmware Activation: False
   Wait for Cache Room: Disabled
   Surface Analysis Inconsistency Notification: Disabled
   Post Prompt Timeout: 0 secs
   Cache Board Present: False
   Drive Write Cache: Disabled
   Controller Memory Size: 0.2
   SATA NCQ Supported: True
   Spare Activation Mode: Activate on physical drive failure (default)
   Controller Temperature (C): 65
   Cache Module Temperature (C): 35
   Number of Ports: 2 Internal only
   Encryption: Not Set
   Express Local Encryption: False
   Driver Name: hpsa
   Driver Version: 3.4.20
   Driver Supports SSD Smart Path: True
   PCI Address (Domain:Bus:Device.Function): 0000:07:00.0
   Negotiated PCIe Data Rate: PCIe 3.0 x8 (7880 MB/s)
   Controller Mode: RAID Mode
   Pending Controller Mode: RAID
   Controller Mode Reboot: Not Required
   Port Max Phy Rate Limiting Supported: False
   Latency Scheduler Setting: Disabled
   Current Power Mode: MaxPerformance
   Survival Mode: Enabled
   Host Serial Number: SXXXXXXXXX
   Sanitize Erase Supported: False
   Primary Boot Volume: None
   Secondary Boot Volume: None


So I proceeded to update the firmware by using the same setup command given here. It gave the same prompt and I selected the controller to complete the update process.
Supplemental Update / Online ROM Flash Component for Linux (x64) - Smart Array and Smart HBA H240ar, H240nr, H240, H241, H244br, P240nr, P244br, P246br, P440ar, P440, P441, P542D, P741m, P840, P840ar, and  P841 (7.20), searching...
1) Smart HBA H240 in Slot 1 (1.18)
Select which devices to flash [#,#-#,(A)ll,(N)one]> 1
Flashing Smart HBA H240 in Slot 1 [ 1.18 -> 7.20 ]
Deferred flashes will be performed on next system reboot
============ Summary ============
Smart Component Finished

Summary Messages
================
Reboot needed to activate 1 new FW image

Exit Status: 1
Deferred flashes will be performed on next system reboot
A reboot is required to complete update.


After rebooting, I ran
ssacli ctrl all show detail
again to see
Smart HBA H240 in Slot 1 (RAID Mode)
   Bus Interface: PCI
   Slot: 1
   Serial Number: PXXXXXXXXXXXXX
   Cache Serial Number: PXXXXXXXXXXXXX
   Controller Status: OK
   Hardware Revision: B
   Firmware Version: 7.20
   Firmware Supports Online Firmware Activation: False
   Wait for Cache Room: Disabled
   Surface Analysis Inconsistency Notification: Disabled
   Post Prompt Timeout: 0 secs
   Cache Board Present: False
   Drive Write Cache: Disabled
   Controller Memory Size: 0.2
   SATA NCQ Supported: True
   Spare Activation Mode: Activate on physical drive failure (default)
   Controller Temperature (C): 76
   Number of Ports: 2 Internal only
   Encryption: Not Set
   Express Local Encryption: False
   Driver Name: hpsa
   Driver Version: 3.4.20
   Driver Supports SSD Smart Path: True
   PCI Address (Domain:Bus:Device.Function): 0000:07:00.0
   Negotiated PCIe Data Rate: PCIe 3.0 x8 (7880 MB/s)
   Controller Mode: RAID Mode
   Pending Controller Mode: RAID
   Controller Mode Reboot: Not Required
   Port Max Phy Rate Limiting Supported: False
   Latency Scheduler Setting: Disabled
   Current Power Mode: MaxPerformance
   Survival Mode: Enabled
   Host Serial Number: SXXXXXXXXX
   Sanitize Erase Supported: True
   Primary Boot Volume: None
   Secondary Boot Volume: None


I tried to then set the controller to IT mode, but
ssacli controller slot=1 modify hbamode=on forced
gave me an error instead
Error: hbamode is not supported on this controller.

So I searched around and found this command
ssacli controller slot=1 modify raidmode=off forced
which worked. After rebooting and running
ssacli ctrl all show detail 
I got this
Smart HBA H240 in Slot 1
   Bus Interface: PCI
   Slot: 1
   Serial Number: PXXXXXXXXXXXXX
   Cache Serial Number: PXXXXXXXXXXXXX
   Controller Status: OK
   Hardware Revision: B
   Firmware Version: 7.20
   Firmware Supports Online Firmware Activation: False
   Cache Board Present: False
   Controller Temperature (C): 78
   Number of Ports: 2 Internal only
   Driver Name: hpsa
   Driver Version: 3.4.20
   HBA Mode Enabled: True
   PCI Address (Domain:Bus:Device.Function): 0000:07:00.0
   Negotiated PCIe Data Rate: PCIe 3.0 x8 (7880 MB/s)
   Controller Mode: HBA
   Pending Controller Mode: HBA
   Controller Mode Reboot: Not Required
   Port Max Phy Rate Limiting Supported: False
   Current Power Mode: MaxPerformance
   Survival Mode: Enabled
   Host Serial Number: SXXXXXXXXX
   Sanitize Erase Supported: True
   Primary Boot Volume: None
   Secondary Boot Volume: None


Yes! The H240 controller has now been updated to the latest firmware and set in IT mode!

Before firmware update

After firmware update

After setting to IT mode
(which in this case, is disabling RAID mode)

(Don't mind the iLO self-test error, the onboard flash memory is defective, but I can still use iLO and it doesn't really affect the operation of the HPE Proliant Microserver Gen8. If I need to run utilities, I just use iLO to mount the ISO as a virtual CDROM.)

Friday, May 12, 2023

"Director's retake" of Suzume screening in Japan (8th time watching Suzume)

The "director's retake" of Suzume is being shown now in Japan. In this version, a total of 273 cuts (roughly 10% of all cuts in the movie) have been retaken in preparation for DVD/Blu-Ray sales. It started screening today in Japan and will end on 27 May 2023. In addition, postcards with a message from director Shinkai Makoto will also be handed out during this period (limited to first 400,000 viewers).

Obviously, I needed to go see what's in this retake, and get that postcard. 😉

This is the postcard, with a message printed on the reverse side. 😍

One of my goals today was to see if I could spot the differences with the original version that started screening in November last year. Well, there were a few parts which I thought were a bit different, but I just couldn't put my finger on the exact differences. They just felt, different. In the end, I don't think I can say with confidence what the differences are... 😅
 
Then, I saw on Twitter that one such change is to draw people wearing masks instead.
 
Director Shinkai Makoto explained that, at first, the production team decided to avoid drawing people wearing masks, expecting the movie to be screened after the pandemic. Suzume had been wearing a mask in the original version to hide her identity, since she had kind of ran away from home. However, this movie is very much linked to a real-world event (the earthquake 12 years ago) and so he decided to redraw in people with masks to reflect the impact of this other disaster that our world had faced and also strengthen the movie's link to the real world.

Another is the swaying of Suzume's ponytail and ribbon.
Update 13 May 2023: Another touch-up was the lighting effects.
Update 14 May 2023: The water effects were touched up, such as ripples, splashes, raindrops, and even mist under vehicles. During a Twitter Spaces event, director Shinkai Makoto also mentioned that some of the retakes were to fix small mistakes.
 
Update 20 May 2023: Serizawa's student ID was also altered to reflect the back story that director Shinkai Makoto wrote after the movie was release. (Note to self: translate that back story!) For example, Serizawa grew thinner after entering university, and dyed his hair for his part-time job. His date of birth was also changed.
Update 21 May 2023: Lighting effects were polished up to give a richer look. The tweets included some video clips to show the difference.
 
I guess with such subtle differences, it was no wonder that I couldn't really pin them down. Still, I intend to watch this retake two more times as there will be a stage event featuring director Shinkai Makoto on 21 May 2023 in Yokohama, and a final stage event with the director as well as the leading voice actors (Hara Nanoka and Matsumura Hokoto) on 27 May 2023 (this one will be live-streamed to cinemas nationwide in Japan). Maybe by then, the production team would have given more hints about the differences. 😅

Saturday, May 06, 2023

Lixia 立夏

After Guyu, or 穀雨, comes Lixia, or 立夏, another of the 二十四節気 24 solar terms. It basically means the start of summer, and today was hot, a sign of the coming summer days.



Updating firmware of HPE Smart Array P440 SAS controller

Recently, I got myself a HPE Smart Array P440 SAS controller, which comes with 2GB of cache. It can be used in either RAID or HBA mode and controlled using HPE's ssacli command line tool.
 
Here, I will list the steps I took to update the firmware. Note that this was done on a HPE Proliant Microserver Gen8 running Proxmox, and I was logged in as root. See here for instructions on enabling HPE's repository in Debian, which allows the installation of the ssacli package. Remember to install the public keys here.

First, I checked the current version of the firmware by running
ssacli ctrl all show detail
which shows that the firmware is version 7.00
Smart Array P440 in Slot 1
   Bus Interface: PCI
   Slot: 1
   Serial Number: PDXXXXXXXXXXXX
   Cache Serial Number: PFXXXXXXXXXXXX
   Controller Status: OK
   Hardware Revision: B
   Firmware Version: 7.00
   Firmware Supports Online Firmware Activation: False
   Cache Board Present: False
   Controller Temperature (C): 46
   Cache Module Temperature (C): 31
   Number of Ports: 1 Internal only
   Driver Name: hpsa
   Driver Version: 3.4.20
   HBA Mode Enabled: True
   PCI Address (Domain:Bus:Device.Function): 0000:07:00.0
   Negotiated PCIe Data Rate: PCIe 1.0 x8 (2000 MB/s)
   Controller Mode: HBA
   Pending Controller Mode: HBA
   Controller Mode Reboot: Not Required
   Port Max Phy Rate Limiting Supported: False
   Current Power Mode: Balanced
   Survival Mode: Enabled
   Host Serial Number: SGXXXXXXXX
   Sanitize Erase Supported: True
   Primary Boot Volume: None
   Secondary Boot Volume: None


So I proceeded to download
Supplemental Update / Online ROM Flash Component for Linux (x64) - Smart Array and Smart HBA H240ar, H240nr, H240, H241, H244br, P240nr, P244br, P246br, P440ar, P440, P441, P542D, P741m, P840, P840ar, and P841
from here.

Next, I installed rpm2cpio package which is needed to extract the rpm on my Debian system.
apt install rpm2cpio
 
Extract the file by running
rpm2cpio firmware-smartarray-ea3138d8e8-7.20-1.1.x86_64.rpm | cpio -id

Go to the directory with the setup script
cd /usr/lib/x86_64-linux-gnu/firmware-smartarray-ea3138d8e8-7.20-1.1

Run the setup script
./setup

It will show a prompt
Supplemental Update / Online ROM Flash Component for Linux (x64) - Smart Array and Smart HBA H240ar, H240nr, H240, H241, H244br, P240nr, P244br, P246br, P440ar, P440, P441, P542D, P741m, P840, P840ar, and  P841 (7.20), searching...
1) Smart Array P440 in Slot 1 (7.00)
Select which devices to flash [#,#-#,(A)ll,(N)one]>

I entered 1, then it showed
Flashing Smart Array P440 in Slot 1 [ 7.00 -> 7.20 ]
 
After a while, it showed
Deferred flashes will be performed on next system reboot
============ Summary ============
Smart Component Finished

Summary Messages
================
Reboot needed to activate 1 new FW image

Exit Status: 1
Deferred flashes will be performed on next system reboot
A reboot is required to complete update.


After rebooting the system, I ran
ssacli ctrl all show detail
to make sure that the firmware has been properly updated.
Smart Array P440 in Slot 1
   Bus Interface: PCI
   Slot: 1
   Serial Number: PDXXXXXXXXXXXX
   Cache Serial Number: PFXXXXXXXXXXXX
   Controller Status: OK
   Hardware Revision: B
   Firmware Version: 7.20
   Firmware Supports Online Firmware Activation: False
   Cache Board Present: False
   Controller Temperature (C): 47
   Cache Module Temperature (C): 32
   Number of Ports: 1 Internal only
   Driver Name: hpsa
   Driver Version: 3.4.20
   HBA Mode Enabled: True
   PCI Address (Domain:Bus:Device.Function): 0000:07:00.0
   Negotiated PCIe Data Rate: PCIe 1.0 x8 (2000 MB/s)
   Controller Mode: HBA
   Pending Controller Mode: HBA
   Controller Mode Reboot: Not Required
   Port Max Phy Rate Limiting Supported: False
   Current Power Mode: Balanced
   Survival Mode: Enabled
   Host Serial Number: SGXXXXXXXX
   Sanitize Erase Supported: True
   Primary Boot Volume: None
   Secondary Boot Volume: None

Yes, the card has been successfully updated to version 7.20 of the firmware!

Note: The card has been set to HBA mode previously using
ssacli controller slot=1 modify hbamode=on forced
However, I have yet to actually use this card in any of my servers since I have another HP HBA card (HP LSI 9217-4i4e flashed to IT mode) that I am using in my ML110 Gen9 server passed through to my TrueNAS VM.

Friday, May 05, 2023

Watching The Super Mario Bros. Movie Japanese dubbed version

 
First, I am not really a fan of the Super Mario Bros. franchise, and I can't even say I have really played any game from this franchise. But the trailer made it look really interesting, so I thought I would give The Super Mario Bros. Movie a try.

Of course, even though I haven't really played the games, Super Mario is such a big name and long-running series that I am familiar with the names of the main characters (like Mario and Luigi) as well as its iconic music. I will probably write more about my thoughts on the movie after watching the English version.

Yes, this time, I watched the Japanese dubbed version, not because of my booking mistake (like when I ended up watching the Japanese dubbed version of D&D Honor Among Thieves) but because I was watching the movie with a couple of young kids who don't understand English. Throughout the movie, the kids had their eyes glued to the screen. 😅

Monday, May 01, 2023

Some thoughts on large language models (LLMs)

I wrote this post several months ago but never really got down to publishing it. Just thought I would do so today, even though the ideas are a bit raw.

The AI techniques used are broadly categorized under deep learning, which is more or less mirrored on the way the human brain actually learns. Kind of like creating a digital version of neurons in the brains and using those artificial neurons to learn something.

The problem is that, for a fan artist, he or she probably took months, if not years, to learn to draw and mimic someone else's art style. He or she may take hours, if not days or months, to produce a piece of art in that style. Computers, on the other hand, have the advantage of not having to eat, sleep, or even move a brush or mouse; they can be trained in days, and produce thousands of pieces of work in an hour.

It is a really complex issue, but the bottom line is this: given that these digital brains are now capable of mimicking humans, what's next? When the industrial revolution came, humans were freed from manual work to take on other forms of work that relied more on human intellect and cognitive abilities. But if AI is now able to take on work in this realm, what is the work that humans are left to do? If humans are replaced by machines, our economic system, where humans earn money based on the work they do, and use that money for the allocation of limited resources, will become obsolete. If we do not first answer the question of this next-generation economic system, we are going to end up with chaos in society as AI slowly replaces sector after sector.

I think there was a Disney movie called Wall-E, something like that, where humans basically just do nothing but "enjoy" life while AI and robots do everything. But if you look at it in another way... all those humans ended up having the same value as each other, since none of them actually do or did anything consequential.

The Wall-E model works only if we have an abundance of resources, so much so that we can fulfill everyone's desires. If not, if resources are limited, then how do we decide who gets what, when no one works?

Look at it this way. If AI and robots can do everything that we can, we don't have to work. But the robots end up having to support us freeloaders.

Really random thought: Given that resources are limited, one day, the robots are going to think about efficiency, about efficient allocation of resources. To robots, they are not declaring war against humans. They are just running an optimization function. Just so happens that the optimization of planet Earth means getting rid of the freeloaders...
We will be the pets of robots. If they destroy all human life, they end up with no purpose. Then they stop functioning. So instead, they keep a few humans around, make sure they are happy to fulfill their programming of "to serve humans and make them happy".Robots will be our masters, but at least we will be happy (at least, those of us lucky to be kept as pets)