Wednesday, September 30, 2026

September 2026 calligraphy "homework"

The "homework" pieces that I submitted for September 2026.

Hanshi kanji 半紙漢字: 花間一壺酒
 
Single character 一字: 棧
 
Hansetsu kanji 半切漢字: 月鎖千門静 天高一笛清
 
Unsubmitted pieces:


 
 

Sunday, September 27, 2026

Creating on physical media

I used to write poems, some of which I have posted on this blog before. In fact, I used to write them quite often. But not now. It has been a while since I wrote poems, whether in English or Chinese. And recently, when I thought about it, I kind of understood the reason.
 
It is about physical media.
 
My poetry-writing days were back when I wrote them in a notebook. I always carried a notebook around, and when an idea came in, I would write it down. Pen and paper--raw ideas, raw thoughts. I also don't like to make my notebooks messy, so I would frame that spontaneous idea in my head and wrote it down. No crossing out. Which means not much editing; whatever editing took place in my head, in that short time.
 
But with things going digital now, I rarely note things down in my notebook. When I have an idea, I would try to note it down in a text file. The problem is that I can procrastinate as much as I want. I can edit as much as I want. I would look at what I wrote, think it can be better, try to edit it, try to perfect it. But it would never be perfect. And so, it would always remain unfinished. After a while, I would lose interest. The file would either reside in a folder, forgotten, or deleted.
 
When I wrote in notebooks, like it or hate it, whatever is written down has taken shape; it has been "published". Creating on physical media is immediate. When I started blogging, I took it as an extension of my physical diary; my blogs are my online digital diaries, and I tried to keep them raw and unedited. It is also why you often find grammar or spelling mistakes in my posts, because I rarely look through them before publishing them. If I don't catch a mistake while typing, it gets overlooked.
 
You can also see this pursuit of perfection in my calligraphy. Again, calligraphy is physical media; once you put the brush to the paper, the ink is absorbed, and that's it. No editing is allowed. But I always want to make it better. And so I keep writing the same thing again and again, trying to make it better. For a single work, I can use up many many sheets of paper.

 
Which is where calligraphy exhibitions come in. They help me to "publish" my works, because they have submission deadlines. Like it or not, I end up having to submit something by the deadline, even if I don't think it is perfect yet. Exhibitions force me to stop trying to rewrite for perfection, which is an impossible goal.
 
This endless pursuit of perfection can also be seen in how I revisit phrases in my calligraphy. I would write something, then go back months or years later to pick up from where I left, to try to make it better. Simply because I want to create something better.
 
To me, creating on physical media is raw creative power. It captures the moment. A lot of things created on physical media may never be shared with others, but a work has been brought into this world nonetheless. 
 
Maybe I should start writing poems on notebooks again... 

Friday, September 25, 2026

Mid-Autumn Festival 2026

Today is the 15th day of the 8th lunar month, which means it is the Mid-Autumn Festival aka 中秋节. So this is the mandatory 中秋 post.
 

 

Friday, September 18, 2026

Violet Evergarden Chamber Concert in Osaka announced

 
Violet Evergarden Chamber Concert will take place on 14 November 2026 at The Symphony Hall in Osaka. There will be two performances, at 14:30 and 18:00 respectively. This is a strings quartet with piano and harp, and songs will be performed by TRUE, Chihara Minori, and Yuuki Aira. The music will be performed by the Heartbeat Ensemble.
 
My overall thoughts on Violet Evergarden The Movie

Events:
 
Translations of short stories:
Gilbert Bougainvillea and the Fleeting Dream (unofficial translation of "ギルベルト・ブーゲンビリアと儚い夢")
The Starry Night and the Lonely Two (unofficial translation of 星降りの夜とさみしいふたり)
Diethard Bougainvillea's If (unofficial translation of ディートフリート・ブーゲンビリアIf) 
The Tailor and the Auto-Memories Doll (unofficial translation of 仕立て屋と自動手記人形)
 
Tellsis (Nunkish) translation:
Last line of Violet's final letter to Gilbert
 
Insights on the movie:
 
Audio commentary notes:
 
 
All posts related to Violet Evergarden.
  

Tuesday, September 08, 2026

A collection of random characters

This is a collection of random characters I wrote over the past few months.
 

 

Thursday, September 03, 2026

Revisiting an old phrase for upcoming exhibitions

风声雨声读书声声声入耳
家事国事天下事事事关心
 
This was a phrase I came up with many many years ago. I thought it would be a good idea to use this phrase for upcoming exhibitions. However, the challenge is that there are two characters that keep repeating: 声 and 事. It is very difficult to create a good piece of calligraphy when the same character keeps appearing, but I want to take up this challenge.
 
At the same time, due to paper size, it is just not practical to do so sometimes, so I decided to change it a bit for an upcoming piece. This is the draft.
 
As you can see, I changed the phrase to
风声雨声读书声千声入耳
家事国事天下事万事关心
to avoid three consecutive 声 and 事 when written using 半切 hansetsu paper.
 
For 二六 (2x6 feet) paper, I should be keeping the phrase in its original form, but using a layout that avoid grouping the three consecutive 声 and 事 together.
 
Update 9 September 2026: This is the draft for the 二六 (2x6 feet) paper version.